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8 January 1836 – 25 June 1912. Most renowned painters.

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Canaletto
Piazza San Marco- Looking North

ID: 18913

Canaletto Piazza San Marco- Looking North
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Canaletto Piazza San Marco- Looking North


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Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | The Courtyard of the Castle of Warwick | Looking South-East from the Campo Santa Sophia to the Rialto Bridge | The Molo and the Riva degli Schiavoni from the Bacino di San Marco | Campo San Vitale and Santa Maria (mk08) | Interior of San Marco (mk25) |
Related Artists:
Rowland Lockey
English Baroque Era Painter, ca.1565-1616,was an English painter and goldsmith. The son of Leonard Lockey, a crossbow maker of the parish of St Bride's, Fleet Street, London, Lockey was apprenticed to Queen Elizabeth's miniaturist and goldsmith Nicholas Hilliard for eight years beginning Michaelmas 1581[1] and was made a freeman or master of the Worshipful Company of Goldsmiths by 1600. He worked mainly as a copyist of earlier portraits to make up sets of oil paintings for the fashionable long galleries of great houses, but signed or documented portrait miniatures on vellum and a signed title page engraving for the 1602 Bishops' Bible also survive.
Giovanni Martinelli
Italian Baroque Era Painter, 1610-1659
UGO DA CARPI
Italian painter/woodcutter (c. 1480-c. 1523).






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